Fluid Festival’s presentation of Study of Anima/Darkroom by Lucy M. May with 7Starr (Montreal) and Isolated Studies by Hilary Maxwell and Josh Martin (Vancouver) provided an evening of compelling physical explorations. These performances were impeccable illustrations of isolation, command and discipline. Similar and yet equally distinct, both pieces are highly athletic, physically intense and offer an interesting glimpse to individual worlds. The physical embodiments of nuanced movement are unparalleled in the work. As collaborations with the performers, the choreographers here have crafted in the most delightful of ways what feels like experimentation and play, trial and error or “studies” as coined by both titles.

In Isolated Studies, Maxwell demonstrates a highly sophisticated capacity for patience, working the body in isolated and controlled patterns which at times gives her a near robotic authenticity. Use of repetition and physical theme is lustrous and engaging in this work. Enchanting and fierce, Maxwell takes her time allowing movement adventures to develop, inviting us so beguilingly to go on the journey with her.

7Starr’s performance was intensely captivating and brilliantly powerful. His intrinsic knowledge and depth of experience in Krump provides the backdrop for this glance into one man’s world. Study of Anima/Darkroom underlines significant key elements of the urban street style, bringing forward the profound communicative power within the form and its culture. Movements, sounds and sensations are broken down to their essence and featured in various contexts, commenting in unexpected ways on the role that Krump plays in street culture. A charming and charismatic performer, 7Starr takes us on a wild ride using humor, sheer physicality and raw emotion to captivate and enthrall us.